The other day, a colleague and I were discussing the value of narratives in education—how teachers can use stories to make ideas stick, fit new content into existing mental models, and bring enthusiasm and relevance to a topic. Chemistry is full of narratives, in both a practical and metaphorical sense. On the one hand, the entirety of chemistry can be viewed as one big metaphor, because as one chemical educator put it, “you can’t see the damn stuff.” On the other hand, there are all kinds of stories of achievement and discovery in chemistry that bring fame and fortune to the scientific methods and ideas involved. For instance, I’m something of a named reactions nut. Despite seeing the transformation countless times, I used to be unable to remember what the Vilsmeier-Haack reaction was—it’s a reaction just obscure enough to warrant forgetting, but common enough to make you go “damn, I should know that” on a regular basis.
Then I found PIHKAL, the story of Alex Shulgin’s life as a scientist studying psychoactive organic compounds. The second half of the book contains procedures for synthesizing a variety of phenethylamines. Notwithstanding your ethical take of Shulgin’s work, his procedures will make the Vilsmeier-Haack reaction stick to your memory forevermore. The reaction is central to Shulgin’s synthetic strategy—formylate an aromatic ring, then nitroaldol condensation followed by reduction provides the desired phenethylamine. The V-H reaction below is used in the synthesis of MDMA.
Most organic chemists have good stories associated with their favorite reactions. But what about “metaphorical” stories? Reaction mechanisms are the most common “metaphorical stories” of organic chemistry that come to my mind. Reaction mechanisms tell the tales of electrons, and figuring out how electrons are likely to behave in a never-before-seen reaction is a lot like figuring out how a fictional character would behave under new conditions. Take Captain Hook out of Neverland and plunk him down in a modern elementary school…I think we can all imagine what would happen! He certainly wouldn’t be friendly to the students.
Extending the “electrons as characters” idea, we can also imagine that the number of “plot elements” in reaction mechanisms is limited. There are a limited number of things electrons can do, when we take a sufficiently general view. However, there are countless variations on these themes, and a massive number of ways to chain steps together. Many students get the idea that these variations are what make organic chemistry hard. Yet…in both chemistry and the study of literature, seeing the forest through the trees—that is, recognizing when a new situation (story, reaction, mechanism, etc.) fits an existing general paradigm—is a critically important skill. The most interesting fictional characters live by general maxims, and we like to believe nature does too!